Now will I sing to my Well-beloved a song

Song of Songs 3:6-11

That the poetical nature of the Song of Solomon may be more clearly seen, we have now before us a passage in which the original form of the Canticle is preserved, and its meaning made more clear by an improved translation.

Song of Songs 3:6

The first speakers are the Daughters of Jerusalem.

Song of Songs 3:7-11

The Friends of the Bridegroom then reply.

Then follows a song of The King, in which he extols the beauty of his bride.

Song of Songs 4:1-7

Song of Songs 4:1-7

In the first song the king is seen in his travelling palanquin or chariot-bed, coming up from the wilderness. We may expound the picture as representing our Lord and King going up into his glory from this wilderness world. Mark the sweet odours of his merits, and the smoke of his sacrifice, observe also the attendant angels, as Milton calls them, “the helmed cherubim and the sworded seraphim,” who, having kept watch around him in the wilderness, now attend him to swell the pomp of his ascension. Thus will Jesus come a second time, and his church shall go forth and gaze upon him. That glorious chariot of love, whose purple canopy well sets forth the atoning blood, is his salvation in which the church rides and rests with her Lord. Happy those who are in it by faith.

The song in which the king extols his bride will be understood by those who know that the imputed righteousness of the Lord Jesus puts upon the saints a perfect comeliness, so that they are “all fair” in the sight of God. Every single line has its meaning, and spiritual minds will find great delight in reading the works of such writers as Gill, or Durham, or. Moody Stuart, upon this priceless book.


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